Assignment on Middlemarch
Name :- Rajdip.P.Gohel
Roll. No:- 27
Paper No:- 6 - The
Victorian Literature
Class:- M.A Sem-2
Topic:- Middlemarch
Enrolment No:-
2069108420190017
College:-
Smt.S.B.Gardi Department Of English
Submitted:-
Department Of English M.K.University, Bhavnagar
Introduction:-
George Eliot is also a
novelist who wrote in the 18th century in England. But unlike
Dickens, her characters are more rounded and develop and grow throughout the
novel. She presents them from a psychological point of view, and is often
regarded as among the earliest modern novelists. Also, in Middlemarch she not
only mentions but also writes in the context of contemporary historical developments
like the Reform Bill. She is also unique in the fact that her novel is infused
not only with a moral vision but also with a deep sense of compassion.
The social
background of the novel:-
Middlemarch is concerned with the
time period of about two and a half decades, beginning with the 1920s. So we
find feminism in this novel. The period covered is one in which there were many
political reforms the most significant of which was the Reform Bill of 1832.
Other factors like the increase in the number of factories and the coming of
the railways suggest that it was a society undergoing rapid change. Though the
landed gentry still commanded the most respect, other professions were gaining
prominence, example of doctors, lawyers, traders, etc. It was a very class
conscious society, in which those of noble birth were stilt the highest on the
social ladder, and where there was a gulf between the town and the country. Man
had to function and interact among institutions like the church, marriage,
money, politics, and labour. All these had a strong moral thread running
through them, and George Eliot has interwoven it with the stories and
characters to bring about the best
possible effect.
Woman occupied an inferior
position in society. They were expected to remain in the background and fulfil
their domestic duties, and did not have any say in legal or property matters.
We symbolise with the real life element that woman are thinks that first we
born to study and than they learn that who to cooked for family after that she does
marriage and she locked in duties of housewife. In these all things we see
female only for home and not other works, so our mindset was describe where are
we? In other country there woman’s free for all these things, so our thinking
level is in low or we are lived with older people who think like ancient mind.
So they were not expected to be intelligent or assertive, but ornamental as
well as useful. All these factors give the reader the impression that
individual lives were influenced by their personal choices, but also the
socio-economic factors prevalent during the time.
George
Eliot’s Treatment of her characters
1. The men characters:-
Casaubon is a cold and
remote figure, at pains to give an impression of dignity and learning. Celia
sees through his pretentiousness and finds him ugly and pompous, but poor
deluded Dorothea is taken in by his reserve into thinking that this vain, dry
clergyman is an intellectual, a man of letters. He imagines that in Dorothea he
has found a suitable wife as she will admire him, and be a wife, hostess and
secretary. He can’t understand her jealousy and enthusiasm because he is
unemotional and self occupied. Her intelligence and perception that he himself
distrusts his ability to complete his work makes him conscious of his failure.
His resentment at this realisation makes him retire deeper into his shell and
he is a very lonely man. Casaubon’s jealousy towards Ladislaw arises out of his
feelings of inadequacy Ladislaw is everything he is not, viz. Young,
enthusiastic, and above all unafraid. His will is another example of his
jealousy and possessiveness, because he dimly foresees the possibility of
Dorothea marrying Ladislaw, and wishes to prevent it even after his death.
Unlike Casaubon,
Lydgate’s intelligence and learning are genuine. Like Dorothea, he is a person
who holds great promise but has to rest content with very ordinary
achievements. As a surgeon with excellent training, who hopes to combine
medical work with research in physiology, he is undoubtedly above ordinary
people in intelligence and work. But he is very conscious of this and it is
this consciousness as well as his materialistic tendencies make him a lesser
individual. Lydgate’s affair with the French actress, and his marriage to
Rosamond indicate that he seems to have a weakness for vain, beautiful woman.
But his good nature is genuine as is seen in his relationship with his patients
and colleagues. Success, recognition, prestige, are very important to him, but
he is not aggressive, hard or tough. In fact, he is swayed by sentiments and
also suffers from pangs of conscience example, when he accepts money from
Bulstrode. When he falls in love with Rosamond, he does not see through her
wiles, and it is only after their marriage that he realises that under her
beauty He selfishness and a terrible obstinacy. He forgives Rosamond for her
petty scheming and becomes resigned to her egoism and her determination to have
her own way. When Lydgate fails to achieve his ambition of being an affluent,
renowned surgeon, he is bitterly disillusioned and resorts to dishonesty and he
fear of exposure haunts him. It is particularly important for him to present
the image of a respectable man of medicine, since a good reputation will help
him to further his career by establishing a good practice in elite society.
Will Ladislaw is the
representative of the world outside Middlemarch, and the anti thesis of
Casaubon, being unlike him in all possible ways. He is the grandson of a woman
who rebelled against the Casaubon values of class and money. His father was a
musician, mother an actress, while he is a dilettante and a Redical. He rejects
the superficial liberalism of Mr. Brooke and has not yet found his vocation. He
sympathizes with Dorothea and regards her marriage to Mr. Casaubon as a
horrible sacrifice, and later falls in love with her himself. After all in this
novel we find many interaction with many characters theme of marriage was main
in this novel, so many characters are suffers by love affairs, so the confusion
was that which was true love and which not true. The novel has three lovers and
they also confused in this three. Actually man character’s are not lovable in
this novel because there’s affairs with other woman.
2. The woman
characters:-
George Eliot’s Middlemarch is well
acclaimed for her compassionate delineation of character and subtlety of
psychological analysis. Dorothea Brooke is a fine instance of this. Little
information is given about the environment in which she grows up. She is
deprives of the security of a happy family as her parents are dead, and Mr.
Brooke, the only substitute for parents, is a tolerant uncle who lets everyone
have their way because opposition causes him too much trouble. Dorothea is an
idealist, and her idealism is misplaced because she wants to do good and great
things in a world of which she is ignorant. She is a misfit in the narrow
provincial society where woman were expected to be submissive and accept the
role assigned to them without aspiring for more. She has visions of being the
partner in the accomplishment of a great work and her misguided notions lead
her into committing the grave mistake of marrying Casaubon. Her childlike ideas
about marriage and her inability to see the obvious bring about disillusionment
and unhappiness to her. She wants to be needed and appreciated by Casaubon, because
he is the only person she looks up to she feels that other people are ordinary
and mediocre. This wish remains unfulfilled because Casaubon is always aloof
and unapproachable, and Dorothea is doomed to a life of loneliness and misery.
With the death of Casaubon comes the final blow, the codicil to the will, which
is the ultimate insult she has to bear. Her marriage to the quite ordinary Will
Ladislaw and willingness to give up Casaubon’s property is clearly an attempt
to come out of her loneliness and establish a close relationship with another
human being. Giving up her noble ideals of doing good and great things, she
settles down to a fife of humdrum domesticity.
The novel is Middlemarch we find very
deep things, with the help of love theme, and what does each other, and their
behaviour. In this point we identify the female characters with as a product,
as a affairs with others, and marriage problems.
Conclusion:-
The novel is Middlemarch is
based on theme of marriage. Now we see other theory is feminism in this novel,
also love birds and affairs with other. In this novel we find clear three
lovers and their marriages, but problematic marriage. In the Victorian age we
find the theme of marriages in many novel like one is sense and sensibility. In
this novel we also find man with working class they all are work in their own
profetional.
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