Rivers and Tides - Documentary

Rivers and Tides - 2001 Andy goldsworthy working with time. This documentary directed by Riedelsheimer. In the meditative 90 minutes documentary. Goldsworthy is seen working on new creation and explain his philosophy with appreciation of the natural world.



This documentary won the Golden Gate Award grand prize for best documentary at the 2003 San Francisco International film festival. The extraordinary documentary will attract you with more fascinating images or music with very appropriate tune that make it very interesting



       
    "Art for me is a form of nourishment," Goldsworthy says, and we see what he means as he begins to assemble his earthwork arrangements. Arriving for a new commission in Nova Scotia, he has only a little time to familiarize himself with the seaside terrain. Still, he establishes a camaraderie with the natural world: "I've shook hands with the place," he declares as he begins to work on an icicle sculpture that fits perfectly with the chilly and desolate milieu. Goldsworthy respects the processes of life and death reflected in nature. As the sun illuminates the finished sculpture, he notes, "The very thing that brought it to life, will bring about its death." This is only one of the many spiritual insights emerging from his art.
                       He creates an igloo out of driftwood collected from the beach. When the tide comes in, the wooden structure begins to float and then drift to the sea in a slow swirl. But Goldsworthy is not attached to his art: "It feels as if it's been taken off into another plane, another world . . . It doesn't feel at all like destruction."
                  The artist also doesn't think in terms of success or failure. After he has spent many hours constructing an intricate mobile of twigs and thorns, the wind shifts and the piece collapses. Goldsworthy surveys the wreckage and practices equanimity. He seems to know that sometimes the magic works and sometimes it doesn't. What's important is that the creative process itself has been manifested along with an intimate meeting with "the heart of the place." Nothing is ever lost in the universe. There is always something to be cherished in this kind of environmental art.
              Back at his home in Penpont, Scotland, Goldsworthy enjoys the company of his wife and small children, then walks through the village gathering material for a new project. He picks dandelions from the roadside and places them in a rock hollow at the edge of a river; from overhead, it is a blaze of yellow beauty amid the rocks.

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